

BIO
Yiannis Galanakis studied at the Physics Department of the Aristotle University of Thessaloniki.
Since 2012, his artistic focus has shifted into the realm of digital photo editing and compositing, adding a new dimension to his creative endeavors.
His photographic work has been presented in a variety of contexts, including group and solo art exhibitions, as well as recognized international competitions and festivals, with awards and publications in international art magazines and books.
He has published three poetry collections ("ζύγια@δεινά.com", Gavriilidis Publications 2018, "Fake News", Pigi Publications 2020, "Αντίστροφη Μέτρηση", self-published 2025).
LINKS
https://www.instagram.com/yiannis.galanakis.images/
https://www.facebook.com/profile.php?id=100087620261569
http://www.linkedin.com/in/yiannis-galanakis-433998226
https://www.lensculture.com/yiannis-galanakis
https://www.contemporaryartcuratormagazine.com/home-2/yiannis-galanakis-spotlight
https://showcasemyart.com/fragments-of-truth-the-surreal-
digital-worlds-of-yiannis-galanakis/
https://circle-arts.com/artideal-3/
https://circle-arts.com/artideal-4/
https://wwab.us/wwa-magazine-14/
Yiannis Galanakis Images II
https://online.fliphtml5.com/zfwj/grtf/
Yiannis Galanakis Images I
https://online.fliphtml5.com/zfwj/jcjf/


EXHIBITIONS/PUBLICATIONS
2025 -8th Chania International Photo Festival
-Published in Art Curator Magazine, Artist Spotlight
-Published review in the SHOWCASE MY ART Platform
2024 -Publication in the 34th edition of Global Art Times
-Publication in Art IDEAL Book, v.4
-Publication in World Wide Art Magazine #14
-7th Chania International Photo Festival
2023 -Publication in Art IDEAL Magazine v.3
-6th Chania International Photo Festival
-Among the winners in Artavita's 2022
ARTIST OF THE YEAR competition.
2022 -5th Chania International Photo Festival
2021 -4th Chania International Photo Festival
2015 - “Itinerant Images”, S.G Art Gallery, Lycabettus,
Athens, Solo Exhibition
2014 - “Castles in the air”, Mare Gallery, Chania, Group
Exhibition
2002 - “Chania Creators”, Municipal Art Gallery of Chania,
Group Exhibition
2002 - “The ego is another, the ego as a stake”, Villa
Koundourou, Chania, Solo Exhibition
STATEMENT
“Because language is a park full of images
that (full of shame and silent)
walk about bewildered with big blind eyes.”
(Willem M. Roggeman)
My images present a “perverted” reality imbued with elements of fantasy.
I view them as narrative passages, cinematic frames, or reflective essays on our fragmented, fluid, and transitional world – metaphors for diverse perspectives and responses to the pressing issues of our modern era.
On the other hand, the image seems to be testing—playfully—the reconstruction of its own language, dreaming of tomorrow within its present.
It is content to surprise itself, to tell a story using the technological tools of its time, to invent its own syntax and plastic elements in pursuit of a renewed narration or representation, envisioning and ultimately inventing its own aesthetic.
Thus, an evolving narrative emerges, employing imagery as a language to access the reality of the “unspoken” world.
Yiannis Galanakis
An Evolving Digital Aesthetic
Yiannis Galanakis’s work is rooted in the tradition of photomontage but evolved through digital techniques that enable him to construct surreal, symbolic, and socially aware visuals. His digital collages are complex compositions that bring together disparate photographic elements to form dreamlike environments. These aren’t just aesthetic experiments—they are visual essays and narrative frames that invite introspection and challenge perception.
Narrative and Symbolism in a Post-Internet World
Each of artist’s digital compositions operates as a story in itself. He uses surreal imagery and visual metaphors to comment on modern-day anxieties, human isolation, identity, and the struggle for meaning in an increasingly digitized world. His art resonates with themes of fragmentation and reconstruction—reflecting both the brokenness and resilience of the human condition.
Influenced by the Dadaists and Surrealists, artist reinterprets these early 20th-century movements through a modern, digital lens. The absurd and the symbolic coexist within his frames, drawing viewers into a space where visual dissonance often gives rise to emotional clarity. Yet, unlike traditional collage techniques that rely on cut-and-paste physicality, Galanakis’s work lives fully in the digital realm. This places him squarely within the post-internet art movement, where digital culture is both a medium and a subject of critique.
Digital Tools, Timeless Themes
While the tools he uses are contemporary—digital cameras, editing software, and compositing platforms—the themes he explores are timeless. Identity, alienation, memory, and impermanence echo through his body of work. His compositions may be born in pixels, but they speak to the enduring complexities of human existence.
This blend of old and new, of the digital and the existential, gives his work a unique place in the 21st-century art landscape. He doesn’t just embrace technology; he critiques and transforms it, using it as a lens to reimagine how we see ourselves and the world around us.
Conclusion: A Visual Voice for Our Times
Yiannis Galanakis continues to push the boundaries of digital photomontage, creating evocative, thought-provoking works that offer commentary on our modern condition. His art is a fusion of imagination and intellect, science and symbolism, technology and timelessness.
In a world that often feels fragmented and chaotic, the artist offers not easy answers, but vivid questions.
Article for my publication in Art IDEAL book, V.4, 2024
“Yiannis Galanakis' work vividly captures the complexities and contradictions of contemporary life. His website showcases a compelling portfolio of digital collages that blend surrealism with socially-aware imagery.
Each piece is a meticulously crafted tapestry of disparate elements, creating a cohesive narrative that challenges the viewer to look beyond the surface. Galanakis' style is a modern reflection of the Dada and Surrealist movements, utilizing digital media to push the boundaries of traditional collage techniques. His work engages with contemporary art trends that emphasize the fragmentation and reconstruction of images to explore deeper psychological and societal issues.
By merging elements of the absurd with critical realism, Galanakis creates a visual language that resonates with the chaotic and often disjointed nature of modern existence. His use of digital tools to manipulate and layer imagery situates his work within the post-internet art movement, which critiques and utilizes digital culture as both subject and medium. In doing so, Galanakis not only aligns himself with historical avant-garde practices but also advances the discourse of digital art in the 21st century.”
