top of page

Publication in Art IDEAL book, V.4  (June 2024)

as a selected finalist of the relevant competition.
https://circle-arts.com/artideal-4/

The text accompanying my image from the editing of the publication:

“Yiannis Galanakis' work vividly captures the complexities and contradictions of contemporary life. His website showcases a compelling portfolio of digital collages that blend surrealism with socially-aware imagery.

Each piece is a meticulously crafted tapestry of disparate elements, creating a cohesive narrative that challenges the viewer to look beyond the surface. Galanakis' style is a modern reflection of the Dada and Surrealist movements, utilizing digital media to push the boundaries of traditional collage techniques. His work engages with contemporary art trends that emphasize the fragmentation and reconstruction of images to explore deeper psychological and societal issues.

By merging elements of the absurd with critical realism, Galanakis creates a visual language that resonates with the chaotic and often disjointed nature of modern existence. His use of digital tools to manipulate and layer imagery situates his work within the post-internet art movement, which critiques and utilizes digital culture as both subject and medium. In doing so, Galanakis not only aligns himself with historical avant-garde practices but also advances the discourse of digital art in the 21st century.”

ArtIDEAL4-ProofMyPage_40-Yiannis Galanakis.jpg

Publication in Art IDEAL Magazine v.3 (June 2023)
 

The third volume of our annual ArtIDEAL magazine delves into the diverse practices of 92 contemporary artists from around the world. With a wide range of mediums including painting, sculpture, drawing, printmaking, photography, digital art, mixed media, and new media, the selected artists share a common thread of exceptional technique, aesthetic sensibility, and creative expression.

As you leaf through the pages, you will have the opportunity to explore each artist's unique approach and artistic vision. The magazine showcases their portfolios, providing an insight into their works and artistic journeys. Whether you are drawn to traditional mediums or fascinated by innovative digital creations, you will find a rich tapestry of artistry within these pages.

Moreover, we encourage you to directly connect with the featured artists to inquire about their work or acquire pieces for your own collection. 

We invite you to immerse yourself in the vibrant world of contemporary art through the pages of our magazine. Discover the diverse talent, be inspired by their creativity, and embark on a journey of artistic exploration and appreciation.

"ITINERANT IMAGES"
(Solo Exhibition)

Publication in Art IDEAL book, V.4

as a selected finalist of the relevant competition (June 2024).

 https://issuu.com/circlefoundationforthearts/docs/artideal_4

 The text accompanying my image from the editing of the publication:

“Yiannis Galanakis' work vividly captures the complexities and contradictions of contemporary life. His website showcases a compelling portfolio of digital collages that blend surrealism with socially-aware imagery.

Each piece is a meticulously crafted tapestry of disparate elements, creating a cohesive narrative that challenges the viewer to look beyond the surface. Galanakis' style is a modern reflection of the Dada and Surrealist movements, utilizing digital media to push the boundaries of traditional collage techniques. His work engages with contemporary art trends that emphasize the fragmentation and reconstruction of images to explore deeper psychological and societal issues.

By merging elements of the absurd with critical realism, Galanakis creates a visual language that resonates with the chaotic and often disjointed nature of modern existence. His use of digital tools to manipulate and layer imagery situates his work within the post-internet art movement, which critiques and utilizes digital culture as both subject and medium. In doing so, Galanakis not only aligns himself with historical avant-garde practices but also advances the discourse of digital art in the 21st century.”

ArtIDEAL4-ProofMyPage_40-Yiannis Galanakis.jpg

Publication in Art IDEAL Magazine v.3 (June 2023)
 

The third volume of our annual ArtIDEAL magazine delves into the diverse practices of 92 contemporary artists from around the world. With a wide range of mediums including painting, sculpture, drawing, printmaking, photography, digital art, mixed media, and new media, the selected artists share a common thread of exceptional technique, aesthetic sensibility, and creative expression.

As you leaf through the pages, you will have the opportunity to explore each artist's unique approach and artistic vision. The magazine showcases their portfolios, providing an insight into their works and artistic journeys. Whether you are drawn to traditional mediums or fascinated by innovative digital creations, you will find a rich tapestry of artistry within these pages.

Moreover, we encourage you to directly connect with the featured artists to inquire about their work or acquire pieces for your own collection. 

We invite you to immerse yourself in the vibrant world of contemporary art through the pages of our magazine. Discover the diverse talent, be inspired by their creativity, and embark on a journey of artistic exploration and appreciation.

"ITINERANT IMAGES"
(Solo Exhibition)

"To live means to leave traces"

               Walter Benjamin

 

            The manufactured image in today's culture has not only taken center stage in contemporary art making, but it has forced us to review/rethink our embodied selves and relationships with time and memory.  Yiannis Galanakis is a digital  artist who lives and works in Chania, Crete, where he reflects on the myriad of possibilities life provides for art and vise versa. When I first saw his work I was impressed by his uncanny sense of colour, poetic cadence in his compositions and the "thing-ness" of his photographs.  I was drawn into his multilayered, mesmerizing  worlds, seeking to extract their secrets..... 

            Galanakis' raw material starts with his own photographs and paintings, images collected over the years, that he then re-visits  during regular Duchampian explorations in search of ideas. Then the real work begins at his studio with his computer where the images might be cut, re-photographed, and painted over, creating collages that defy the long-held notion of photography as a "window onto the world."   His "stories" are reworked time and again until he creates haunting, cinematic narratives where the taken-for-granted is turned upside down.  Galanakis' physical topographies  appear out of joint with his characters—human, animals, objects— creating multilayered mental landscapes where lives are lived differently. 

            The works were created over the last years.  Galanakis prints on surfaces that best showcase the bits and pieces of beauty that he has collected and made his own; sometimes these surfaces are paper, sometimes wood or aluminium. The  printed works command space not unlike sculpture, requiring us to shift about, turn our heads and take a stroll into a world full of wonders, fragments of life in a constant becoming. 

            The Italian philosopher Umberto Eco in 1962 coined the term " open work" referring to works where artists in their practice allowed for many interpretive possibilities—the works were "completed" by the viewers. 

 

            Caterina Pizanias, PhD.

            Curator

            Calgary, Alberta, Canada

            February 2015

   

            https://cpizanias.com/exhibitions/

"CASTLES IN THE AIR"

(Group Exhibition)

Press_release
Catalog, Castles-in-the-air-1_edited.jpg
Catalog, Castles-in-the-air-2_edited.jpg
Catalog, Castles-in-the-air-3.jpg

Other exhibitions

(Posters)

FLIPBOOK

(click on the image)

Flip book

FLIPBOOK

VIDEO PRESENTATION

POETRY BOOKS

Five  children's paintings...

 

"I have many promises to keep and so many miles to   walk before I go to sleep..."

                                                 (Robert Frost)

bottom of page